TRIVIA: Voices of Feminism
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    • An Interview with Carol Anne Douglas
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    • An Interview with Sharon Doubiago
    • Confrontation with the Rapist
    • Defense Attorney's Lament
    • Entertainment for Men
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    • A Review of Donna Prinzmetal's Snow White
    • Laws of Kissing If Newton Were a Woman
    • Two Poems by Judith Terzi
    • One of the Cronettes
    • Inspiration
  • Previous Issues
    • Voices of Feminism >
      • Issue 16: "Feminisms" >
        • Toward a Theory and Praxis of Sustainable Feminism
        • Feminisms: Inclusion as a Radical Act
        • Grace
        • Three Ekphrastic Poems
        • Braids
        • Medusa
        • Who's Coming Along: Denise Duhamel, Maureen Seaton, and Collaboration Today
        • We had rituals we didn't know what for
        • A Brief History of a Feminist Mind
        • Marge Piercy: On Feminism, Politics, and Writing
        • Lack of Cover
        • Refresh
        • Crabby Apples
        • A Place of Storytelling and Sustenance: Molly Sutton Kiefer's Nestuary
        • When She Was Two
        • Margaret Sanger Speaks
        • A Song for Maman Dantor
        • Listen
        • Abiquiu
        • Changing
        • Barbie at Rest
        • When We Crack, Let's Do It Together
        • Duel
        • Domestic Constellation
        • America the Beautiful
        • Death of a Valkyrie
        • Old Woman Who Grieves War
        • I Read My Death in the Winter Stars
        • Femenina Sube: My Aquarian Age
        • The Straight Mind at Work at the Heart of Queer Theory
        • Journal: In the Bois de Vincennes
        • Landlady Emily Carr
        • Scenario For a New Agenda
        • I Could Do That
      • Issue 15: "Animal Instincts" >
        • Women. Horse. Mountain.
        • My Pre-Feminist Animal Instincts
        • Our Animal Selves
        • Presage
        • Animal Self
        • Comings and Goings
        • And the Hawk Flies
        • Birds of a Feather
        • Proper Adornment
        • Reverie
        • Algonquin Anthology
        • Sea Stars
        • Immortal
        • Spirit Horse
        • First Cousins: A Suite of Poems
        • Bird of Prey
        • Crows
        • Harpy
        • Snake I Come
        • Approaching the Gate
        • Horses in Winter
        • "Domestic Terrorist"
        • Homeless
        • Displacement
        • The Mornings After
        • Gust of Win
        • Squirrel Dick
        • Cats
        • Frankie
        • Worms
        • Animal Cracker
        • I Don't Believe in Marriage
        • Drawing on the Dream
        • The Cow with a Human Face
        • Orangutans at the Jardin des Plantes
        • Abattoir
        • In for Life
        • I Am Shark
        • Giving Voice to Bear
        • Threshold Crossing
        • The Mark of the Bear
        • Discernment Is All
        • Bears at Midnight
        • The Musky Scent of Bear
        • Baggage
        • The End of Our Friendship
        • Four Mile River Road: 1 Mile
        • The White Dog
        • White Dog/Blue Pearls
        • Baby Dream #15
        • Baby Dream #39
        • Fish Songs
        • Today I Fished
        • The Surgeon's Territory
        • Boudoir Portrait
        • The First Six Months of Survival
        • P for Patience
        • French Pout
        • My Next Girlfriend
        • Winter Solstice
      • Issue 14: "Preoccupation" >
        • Wheatpastes
        • An Editorial: "It's not time to worry yet."
        • Courage
        • Dispirited
        • Voices
        • Falling
        • Sunset #2
        • Cut You Out
        • Brooding
        • Planetary
        • Sleeping. Dreaming.
        • Drama with the Neighbor
        • Woman to Woman
        • The Conspiracy of Chores
        • Murder
        • White Sunset Through a Mesquite Tree
        • Patricia Cornflake's Lesbian Lifestyle
        • Doldrums, Horse Latitudes, and Tropics
        • A Woman Poet's Critique of Words Too Commonly Spoken
        • Memory's Witness
        • Finding Edges
        • Oh, That Bed! That Bed!
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        • Here We Are
        • Crazy Jane Addams Occupies Hull's House
        • Virtue
        • The Canary
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        • Gertrude Stein, Hitler, and Vichy-France
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      • Issue 11: "Are Lesbians Going Extinct," #2 >
        • Editorial_11
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        • We Live as Two Lesbians
        • PrognostiKate
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A Place of Storytelling and Sustenance:
Molly Sutton Kiefer's Nestuary
Sharon J. Kirsch

Picture
Nestuary by Molly Sutton Kiefer, Ricochet Editions, imprint of Gold Line Press, 2014.

Molly Sutton Kiefer’s Nestuary is an invocation of and hymn to the body, (in)fertility, pregnancy, childbirth, breastfeeding, and motherhood. The book confounds generic distinctions between essay and poem, a formal experiment that delivers from / to the gut of sensory immediacy along with its sure-footed and surprising stylistic turns. Nestuary devastates and nurtures, aches and soothes, as it catalogues past and present, experience and memory.

Fulfilling the mission of Ricochet Editions at Gold Line Press, which is dedicated to publishing innovative, trans-genre, or genre-less works, Nestuary reveals its hybridity in the lexical play of its title: nest + estuary = sanctuary. A nest is a place of birth and shelter, a space of refuge, an innermost recess, a holy place, and sanctuary. An estuary is the tidal mouth of a large river, a place of transition from fresh water streams to the salty ocean, metaphorically a transition between fertility/infertility, a passage into motherhood, the uncanny, enchanting, alienating bodily obligation, living for and with an emerging other, becoming a body at war with itself, surrendering, exploring, finding itself strange but compelling:

     Peach pit: wrinkled and old and all that’s left over. A little
     meat there. It’s an object I can carry by marsupial pouch,
     keep it with me every day, reach down and touch it--
     touch it—lines and caverns and shape of something—not
     empty but not becoming.
     In wanting this, I pit myself against myself. (19-20)

Here, the body is divided against itself not unlike Kiefer’s text, which splices fragments of ancient Greek myth, Thessalian witches, Roman goddess Diana against an affable, candid narrative voice. Kiefer invites us into her process of thinking through a multiplicity of motherhood frames, looking to the sky and finding not the certainty of the mother myth, but the necessity or inevitability of telling mother stories: “Imagine the night sky properly disrobed, leaving only the chips of light and blackest black. I imagine woman in white swallowing the bulb of the moon, wearing it in her center” (5).

Nestuary is at once a deeply personal account of Kiefer’s struggles with (in)fertility, an unruly, difficult pregnancy, and a well-planned delivery gone awry resulting in an unwanted but necessary c-section. At the same time, Kiefer’s narrative assumes an archetypal posture, stretching beyond the immediacy of a particular birth scene giving voice, often broken and fragmented, to the experiences of many women. This poetic prose is at its most daring when its formal experiment renders the powerful experience of pregnancy and the long road to conception as emotional labor.

Kiefer builds Nestuary out of a variety of “acts of writing,” fulfilling the promise of the book’s initial epigraph from Erica Hunt’s The Grand Permission: “Each act of writing or mothering stuns by the immensity of its hidden archaeology, of failure, riddled origins, hidden clauses, minute pleasures achieved through tactical approximations.” Kiefer layers and disturbs history and time, moving nonlinearly through her own autobiography. Invoking mythic images of pregnancy and detailing symptoms of polycycstic ovary syndrome (PCOS) including weight gain, hirsutism, diabetes, skin tags, snoring, depression and anxiety, irregular menstruation, and ovulation, Kiefer, at the beginning of her story, summons its end: “I can tell you this (now): This story has a happy ending” (9). This direct address to “you” and “(now)” functions as a “tactical approximation,” entwining “you” the reader with the moment of reading into her acts of writing. This is her story, and it is yours, ours, compellingly calling forth these experiences, which in intimate familiarity—as mythic tale or medical process—is always a product of imagination.

These struggles with (in)fertility render a body unable to heal itself or reproduce, and certainly not on demand or as planned. Kiefer underscores the cruelty of intention gone awry:

      Clarity of intention in crucial.
      Clarity of intention is cruel. (5)

And then pregnancy, what “your body is designed for,” as conventional wisdom claims. Kiefer’s pregnancy resulted in severe morning sickness, required IVs, agony, despair and hope: “Too, there is the clump of physical altercations. Insult to injury” (14). The body, ostensibly designed for childbirth, rebels violently.

In this volume, Kiefer takes up and extends the verse exploration of pregnancy, birth, parenting poetry and prose initiated by Sylvia Plath, Adrienne Rich, and 1970s feminisms that opened up the possibility of writing candidly and honestly about experiences of motherhood, concretizing the embodiments of pregnancy and childbirth. Nestuary includes three sections, each opening with a citation and followed by material consisting of numbered lists, extended paragraphs, poetic stanzas, citations of ancient Greek mythology and Shakespeare, a list of birthing experience options, a brief archeology of the word “Caesarean,” a list of six women who died between 1999-2012 while pregnant and were kept on life support until their babies were delivered closer to term, and multiple references to women writers and poets including Gillian Conoley, Toi Derricotte, Beth Ann Fennelly, Doris Lessing, Sharon Olds, Adrienne Rich, Camille Roy, and Naomi Wolf.

Keifer builds a nest out of a variety of acts of writing, voices, histories, and experiences weaving them into her own. She breaks the narrative passages with italicized interjections, voicemails, and definitions with words reduced to phonetics. For example,  “[sist]” is followed by a series of seeming definitions divided into parts of speech:

     adj.      the palm-up no, what is marked enemy
      n.         zoology: sac surrounding an animal that has
                  passed into dormant condition
      v.         I sleep for hours after the appointments, think of
                  winter
      v.         response to extreme conditions; fall to lake bot-
                  tom, remain quiescent for years
      v.         I lumber, eat honey, am imaginary. (29)

What the definitions define is unclear and multiple. The intimate, familiar voice becomes spliced with detached definitions. In the third and final section, Kiefer’s focus shifts to a mother acknowledging transition: “I held her within long enough, and then I held her again without" (66). In this stunning section with the “ache and release” of nursing and the “mapping of the body and its new workings,” Caesarean, “failure to progress,” becomes a caesura, a line break, a break between words within a metrical foot, white space. They share the same Latin root caes, “cut, hewn.” The caesura becomes for Kiefer “breath, feathers in fields, the down in nests, flight, drifting clouds, fog, ice crystals on windowpanes in winter, children lifting their arms while swinging or riding a bicycle (no hands!), the coast, sea oats, lungs” (88).

Nestuary ends with Kiefer safely nesting with her children in “our limb-woven home,” literally in the act of writing, her words bearing witness to motherhood (97). Surrounded by the loving chaos of parenthood and burning with an abundance of milk, love, and blessings, Kiefer says “I am no longer the tinder but the fire itself. Our quartet, a little furnace of love” (97). Her Nestuary is at once lyric essay, sacred song, and sanctuary. 



Working notes

Kiefer had me at her title: Nestuary -- a non-word word with immediate echoes of recognizable words. I research, write, and cannot stop trying to read Gertrude Stein. A quick flip through Nestuary with sightings of dictionary-like definitions, parts of speech, citations of important authors, and nearly empty pages (I love the suggestiveness of empty space almost as much as the words that can fill it) might have led to a very brief review: “excellent, stunning, read it.” But the process of writing about Nestuary, listening to and thinking through its complex structures and vital stories, resonated deeply with my own life and near-death experiences with childbirth. But it is Kiefer’s descriptions of nursing toward the end of the book that stay with me for the literal and metaphoric sustenance they offer.

About the author

Picture
Sharon J. Kirsch, a member of the TRIVIA editorial collective, is Assistant Professor of English and Rhetorical Studies in the School of Humanities, Arts, and Cultural Studies in the New College at Arizona State University. Her interdisciplinary research and teaching interests include rhetorical, literary and critical theory, American literature, modernism, and women’s writing. She has two books coming out this year: Gertrude Stein and the Reinvention of Rhetoric (University of Alabama Press), which reinterprets the iconic literary figure as a major twentieth-century rhetorician, and Primary Stein: Returning to the Writing of Gertrude Stein (Lexington Books), a co-edited collection of scholarly essays dealing with Stein's primary work. Additional publications include, “Two Exhibits, One Film, and the Pleasures of Gertrude Stein” in The Feminist Wire, “It Has Become Our Will: Onward with Adrienne Rich (1929-2012)” in Trivia: Voices of Feminism and Rain and Thunder: A Radical Feminist Journal of Discussion and Activism, and “PR Guns for Hire: The Specter of Edward Bernays in Gadhafi’s Libya” in Present Tense: A Journal of Rhetoric in Society.


"We are volcanoes. When we women offer our experience as our truth, as human truth, all the maps change.
There are new mountains." (Ursula K. Le Guin, 1986)
  • Home
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    • Radical: A Tribute to Barbara Mor
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    • Screwnomics
    • Menstruation
    • Merkin Art: A Suite of Pussies
    • "A Witch, A Cat Woman": Cat Woman's Patriarchal Roots
    • Feminism in the Work of Michele Pred
    • Lucky Girl
    • The Social, Cultural, and Political Necessity of Anne Sexton
    • An Interview with Sharon Doubiago
    • Confrontation with the Rapist
    • Defense Attorney's Lament
    • Entertainment for Men
    • Greve Series / White Works
    • A Review of Donna Prinzmetal's Snow White
    • Laws of Kissing If Newton Were a Woman
    • Two Poems by Judith Terzi
    • One of the Cronettes
    • Inspiration
  • Previous Issues
    • Voices of Feminism >
      • Issue 16: "Feminisms" >
        • Toward a Theory and Praxis of Sustainable Feminism
        • Feminisms: Inclusion as a Radical Act
        • Grace
        • Three Ekphrastic Poems
        • Braids
        • Medusa
        • Who's Coming Along: Denise Duhamel, Maureen Seaton, and Collaboration Today
        • We had rituals we didn't know what for
        • A Brief History of a Feminist Mind
        • Marge Piercy: On Feminism, Politics, and Writing
        • Lack of Cover
        • Refresh
        • Crabby Apples
        • A Place of Storytelling and Sustenance: Molly Sutton Kiefer's Nestuary
        • When She Was Two
        • Margaret Sanger Speaks
        • A Song for Maman Dantor
        • Listen
        • Abiquiu
        • Changing
        • Barbie at Rest
        • When We Crack, Let's Do It Together
        • Duel
        • Domestic Constellation
        • America the Beautiful
        • Death of a Valkyrie
        • Old Woman Who Grieves War
        • I Read My Death in the Winter Stars
        • Femenina Sube: My Aquarian Age
        • The Straight Mind at Work at the Heart of Queer Theory
        • Journal: In the Bois de Vincennes
        • Landlady Emily Carr
        • Scenario For a New Agenda
        • I Could Do That
      • Issue 15: "Animal Instincts" >
        • Women. Horse. Mountain.
        • My Pre-Feminist Animal Instincts
        • Our Animal Selves
        • Presage
        • Animal Self
        • Comings and Goings
        • And the Hawk Flies
        • Birds of a Feather
        • Proper Adornment
        • Reverie
        • Algonquin Anthology
        • Sea Stars
        • Immortal
        • Spirit Horse
        • First Cousins: A Suite of Poems
        • Bird of Prey
        • Crows
        • Harpy
        • Snake I Come
        • Approaching the Gate
        • Horses in Winter
        • "Domestic Terrorist"
        • Homeless
        • Displacement
        • The Mornings After
        • Gust of Win
        • Squirrel Dick
        • Cats
        • Frankie
        • Worms
        • Animal Cracker
        • I Don't Believe in Marriage
        • Drawing on the Dream
        • The Cow with a Human Face
        • Orangutans at the Jardin des Plantes
        • Abattoir
        • In for Life
        • I Am Shark
        • Giving Voice to Bear
        • Threshold Crossing
        • The Mark of the Bear
        • Discernment Is All
        • Bears at Midnight
        • The Musky Scent of Bear
        • Baggage
        • The End of Our Friendship
        • Four Mile River Road: 1 Mile
        • The White Dog
        • White Dog/Blue Pearls
        • Baby Dream #15
        • Baby Dream #39
        • Fish Songs
        • Today I Fished
        • The Surgeon's Territory
        • Boudoir Portrait
        • The First Six Months of Survival
        • P for Patience
        • French Pout
        • My Next Girlfriend
        • Winter Solstice
      • Issue 14: "Preoccupation" >
        • Wheatpastes
        • An Editorial: "It's not time to worry yet."
        • Courage
        • Dispirited
        • Voices
        • Falling
        • Sunset #2
        • Cut You Out
        • Brooding
        • Planetary
        • Sleeping. Dreaming.
        • Drama with the Neighbor
        • Woman to Woman
        • The Conspiracy of Chores
        • Murder
        • White Sunset Through a Mesquite Tree
        • Patricia Cornflake's Lesbian Lifestyle
        • Doldrums, Horse Latitudes, and Tropics
        • A Woman Poet's Critique of Words Too Commonly Spoken
        • Memory's Witness
        • Finding Edges
        • Oh, That Bed! That Bed!
        • Mother, Daughter
        • Here We Are
        • Crazy Jane Addams Occupies Hull's House
        • Virtue
        • The Canary
        • White Sunset #3
        • Flow
        • Citrus
        • The Devil Finds Work for Idle Hands
        • Occupy Wall Street Poster
        • The Tent
        • Occupy Me!
        • (post)Occupation
        • The Poison Our Grandmothers and Mothers Drank
        • Hellish Clout
        • Tangle
        • The Bathing Scene from Marguerite Duras's "The Lover"
        • As I Lie
        • The Therapist
      • Issue 13: "Death" >
        • A Feminist Editorial on Death
        • Plucked
        • Chromosomal Geography
        • The Clinic
        • Offal
        • I Have Come to Show You Death
        • The Making of a Peaceful Death
        • Sayonara
        • Sitting in the Lap of God
        • Cycle
        • My Assailant
        • New Jersey Spring
        • Something Missing
        • Triptych: Art Essay on Death
        • The Heroes of Ecbatana
        • Jane is Dead
        • The Miscarriage
        • A Spiritual Death? The One-Eyed Doe...
        • Black Bears
        • Circus
        • The Road to Nowhere
        • American Jisei
        • Nothing to Lose
        • For Linda
        • For Ryan
        • Mindfall
        • Rest in Peace
        • Love Is Stronger Than Death
        • Twins and M/Others: A Survival Story
        • Due Diligence (A.K.A. Cracking Open Her Case)
        • Empirical Evidence
        • Dissociation
        • 27.2727273 Readers
        • The Nomad
        • Manifesto
        • Baby Island
        • Chinatown, Death, and Women
        • Surrounded by Death
        • Where Sanity Returned
        • Whitney
        • In the Shadow of Mumtaz
        • Of Woods
        • The Egg Broke
        • Playing with Dolls
        • Threadbare
        • Because We Must Lose You
        • Clock Time
        • Gynosis One: Samhain
        • The Last Trimester
        • Crossing
        • Tiny Eve
      • Issue 12: "Southwestern Voices" >
        • Issue 12 Editorial: "Southwestern Voices"
        • Trojan Horses in the Desert
        • You Can See the Silence
        • Fleeing Oklahoma
        • North Rim, Grand Canyon, AZ
        • Mobius Arch, Alabama Hills, CA
        • Vasquez Rocks Natural Area, CA
        • Our Lady
        • Mothers of Beauty
        • Talking Incest
        • Desire
        • Tales from the Health Club
        • Three Years Old Watching the Open Sky
        • The Missing Girls
        • It Has Become Our Will: Onward with Adrienne Rich (1929-2012)
        • A Conversation with bell hooks
        • Gertrude Stein, Hitler, and Vichy-France
        • Tinker Tailor Soldier Stein
        • Organic Evolution
        • Eclipse of Hope
        • I Lied
        • First Apartment
        • Translations of Poems by Shez
        • In Memoriam: Christa Wolf
      • Issue 11: "Are Lesbians Going Extinct," #2 >
        • Editorial_11
        • Invisible Outline
        • We Live as Two Lesbians
        • PrognostiKate
        • Dinosaurs & Haircuts: A Performance Monologue
        • To Be Real
        • Matrices
        • Coming Into Word
        • Prince of Paris
        • Ending Patriarchy
        • The Revolutionary Is the One who Begins Again
        • Always a Lesbian
        • Anti- Rape
        • Walking the Moon
        • Entanglement
        • Women Alone
        • No One Lives Her Life
        • Coming Out of the Straightjacket
        • Oscar of Between
        • Michele Causse
        • Jill Johnston
      • Issue 10: "Are Lesbians Going Extinct?" #1 >
        • Editorials
        • Before and after Sappho: Logos
        • On Living with a Poem for 20 Years: Judy Grahn's "A Woman Is Talking to Death"
        • And Will Rise? Notes on Lesbian ExtinctionNew Page
        • My Mid-term Exam in Lesbian Theory
        • Letter for Cynthia Rich
        • Dispatches from an Australian Radicalesbianfeminist
        • No Longer Burning
        • Reinvention and the Everyday
        • The Personal is Political
        • Notes on Reinvention and Extinction
        • Dyke on a Haybale: A Lesbian Teen in Kansas Speaks Out
        • Gay Trans and the Queering in Between
        • Lesbian Lament
        • The Inconvenient Truth about Teena Brandon
        • Who Says We're Extinct?
        • She Who
        • Lesbians Going All The Way
        • Trivia Saves Lives
        • Notes on Contributors
      • Issue 9: Thinking of Goddesses >
        • Vulture Medicine Augury
        • When hens were flying and god was not yet born
        • Canoeing our Way back to the Divine Feminine in Taino Spirituality
        • Testify
        • Young Pagan Goddess
        • Goddess is Metaformmic
        • For Want of a Goddess
        • Amaterasu- The Great Eastern Sun Goddess of Peace
        • What is Goddess? Toward an ontology of women giving birth. . .
        • Inanna Comes to Me in a Dream
        • First Blood Well The History of Bleeding
        • The Song of Lilith
        • Freedom Speaks Through Us
        • Dulce's Hands
        • Notes on contributors (9)
      • Issue 7/8: Unabashed Knowing >
        • Bad Manners All That Jazz
        • Hypatia
        • Amerika in 5 Parts
        • Screens: The War at Home
        • Invisible Nature
        • Woman-Woman Bonds in Prehistory
        • I Saw a Woman Dance
        • The Edible Parts
        • The Happy Hooker Revisisted
        • Re-membering an Interrupted Conversation:the Mother/Virgin Split
        • Notes on contributors (7/8)
      • Issue 6: The Art of the Possible >
        • The Aerial Lesbian Body: The Politics of Physical Expression
        • Wanting a Gun
        • Red Poppies Among the Ruings
        • Returning Home with Mago, the Great Goddess from East Asia
        • Noah's Wife
        • Reclaiming the Spooky: Matilda Joslyn Gage and Mary Daly as Radical Pioneers of the Esoteric
        • Grand Right and Left
        • Notes on Contributors (6)
      • Issue 5: The Resurrection Issue (2/2007) >
        • Waiting for Sappho
        • A Song of Captain Joan
        • Blue Mojo
        • Why Do Something If it Can be Done
        • In Memoriam: Monique Wittig
        • The Loudest Self
        • Clear and Fierce
        • (B) Orderlands' Lullaby
        • Borderlands
        • akaDARKNESS: on Kathy Acker
        • Remembering Barbara Macdonald
        • The Making of Power
        • Octavia Butler: A note on Xenogenesis as a love story
        • The Essential Angel: Tillie Olsen
        • Carol's Hands
        • Notes on Contributors (5)
      • Issue 4: The Wonderful & The Terrible (9/2006) >
        • Cunctipotence
        • Global Lovers
        • Our Lot
        • Doe a Deer
        • Degendering Sex: Undoing Erotic Alienation
        • Seven Stages of Lesbian Desire (What's Truth Got to Do With It?)
        • That Easter
        • Amazon Grace: Read it Aloud
        • Athene, 2002-2005
        • Notes on Contributors (4)
      • Issue 3: Love & Lust (2/2006) >
        • Conversation with Michele Causse
        • Chloto 1978
        • The Woman with the Secret Name
        • She is Still Burning
        • In the Beginning
        • Sanctuary
        • When Sex is Not the Metaphor for Intimacy
        • Arielle
        • Quotidian Love
        • Leverett
        • After Sappho's Fragments Tips for Natural Disasters Said Before
        • A Lesbian is a Memoir
        • Notes on Contributors (3)
      • Issue 2: Memory (12/2005) >
        • The Lost Days of Columbus
        • Agenesias of the Orld World
        • The Power of the Earth Shake/Rousing
        • Return to Earth
        • Forces of Nature
        • The Beauty Shop
        • The Other Shore
        • Notes on Contributors (2)
      • Issue 1: The Body (10/2004) >
        • Lovesick
        • Guerilla Girl Ponders the Situation
        • The Secret Pornographies of Republicans. What's left? Preferably Knot
        • Communing with Bears
        • TRIVIA LIVES: Division Street
        • After Reading: Les Gueilleres
        • Notes on Contributors (1)
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