TRIVIA: Voices of Feminism
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    • Unplugging Your Inner Patriarchy
    • She Who Carries the Seeds
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    • Localized Deafness: A Suite of Poems
    • Naked in the Woods
    • An Interview with Carol Anne Douglas
    • Imagining Differently: Revisiting Radical Feminism
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    • First Responder Who Only Fainted During Training Videos
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    • Menstruation
    • Merkin Art: A Suite of Pussies
    • "A Witch, A Cat Woman": Cat Woman's Patriarchal Roots
    • Feminism in the Work of Michele Pred
    • Lucky Girl
    • The Social, Cultural, and Political Necessity of Anne Sexton
    • An Interview with Sharon Doubiago
    • Confrontation with the Rapist
    • Defense Attorney's Lament
    • Entertainment for Men
    • Greve Series / White Works
    • A Review of Donna Prinzmetal's Snow White
    • Laws of Kissing If Newton Were a Woman
    • Two Poems by Judith Terzi
    • One of the Cronettes
    • Inspiration
  • Previous Issues
    • Voices of Feminism >
      • Issue 16: "Feminisms" >
        • Toward a Theory and Praxis of Sustainable Feminism
        • Feminisms: Inclusion as a Radical Act
        • Grace
        • Three Ekphrastic Poems
        • Braids
        • Medusa
        • Who's Coming Along: Denise Duhamel, Maureen Seaton, and Collaboration Today
        • We had rituals we didn't know what for
        • A Brief History of a Feminist Mind
        • Marge Piercy: On Feminism, Politics, and Writing
        • Lack of Cover
        • Refresh
        • Crabby Apples
        • A Place of Storytelling and Sustenance: Molly Sutton Kiefer's Nestuary
        • When She Was Two
        • Margaret Sanger Speaks
        • A Song for Maman Dantor
        • Listen
        • Abiquiu
        • Changing
        • Barbie at Rest
        • When We Crack, Let's Do It Together
        • Duel
        • Domestic Constellation
        • America the Beautiful
        • Death of a Valkyrie
        • Old Woman Who Grieves War
        • I Read My Death in the Winter Stars
        • Femenina Sube: My Aquarian Age
        • The Straight Mind at Work at the Heart of Queer Theory
        • Journal: In the Bois de Vincennes
        • Landlady Emily Carr
        • Scenario For a New Agenda
        • I Could Do That
      • Issue 15: "Animal Instincts" >
        • Women. Horse. Mountain.
        • My Pre-Feminist Animal Instincts
        • Our Animal Selves
        • Presage
        • Animal Self
        • Comings and Goings
        • And the Hawk Flies
        • Birds of a Feather
        • Proper Adornment
        • Reverie
        • Algonquin Anthology
        • Sea Stars
        • Immortal
        • Spirit Horse
        • First Cousins: A Suite of Poems
        • Bird of Prey
        • Crows
        • Harpy
        • Snake I Come
        • Approaching the Gate
        • Horses in Winter
        • "Domestic Terrorist"
        • Homeless
        • Displacement
        • The Mornings After
        • Gust of Win
        • Squirrel Dick
        • Cats
        • Frankie
        • Worms
        • Animal Cracker
        • I Don't Believe in Marriage
        • Drawing on the Dream
        • The Cow with a Human Face
        • Orangutans at the Jardin des Plantes
        • Abattoir
        • In for Life
        • I Am Shark
        • Giving Voice to Bear
        • Threshold Crossing
        • The Mark of the Bear
        • Discernment Is All
        • Bears at Midnight
        • The Musky Scent of Bear
        • Baggage
        • The End of Our Friendship
        • Four Mile River Road: 1 Mile
        • The White Dog
        • White Dog/Blue Pearls
        • Baby Dream #15
        • Baby Dream #39
        • Fish Songs
        • Today I Fished
        • The Surgeon's Territory
        • Boudoir Portrait
        • The First Six Months of Survival
        • P for Patience
        • French Pout
        • My Next Girlfriend
        • Winter Solstice
      • Issue 14: "Preoccupation" >
        • Wheatpastes
        • An Editorial: "It's not time to worry yet."
        • Courage
        • Dispirited
        • Voices
        • Falling
        • Sunset #2
        • Cut You Out
        • Brooding
        • Planetary
        • Sleeping. Dreaming.
        • Drama with the Neighbor
        • Woman to Woman
        • The Conspiracy of Chores
        • Murder
        • White Sunset Through a Mesquite Tree
        • Patricia Cornflake's Lesbian Lifestyle
        • Doldrums, Horse Latitudes, and Tropics
        • A Woman Poet's Critique of Words Too Commonly Spoken
        • Memory's Witness
        • Finding Edges
        • Oh, That Bed! That Bed!
        • Mother, Daughter
        • Here We Are
        • Crazy Jane Addams Occupies Hull's House
        • Virtue
        • The Canary
        • White Sunset #3
        • Flow
        • Citrus
        • The Devil Finds Work for Idle Hands
        • Occupy Wall Street Poster
        • The Tent
        • Occupy Me!
        • (post)Occupation
        • The Poison Our Grandmothers and Mothers Drank
        • Hellish Clout
        • Tangle
        • The Bathing Scene from Marguerite Duras's "The Lover"
        • As I Lie
        • The Therapist
      • Issue 13: "Death" >
        • A Feminist Editorial on Death
        • Plucked
        • Chromosomal Geography
        • The Clinic
        • Offal
        • I Have Come to Show You Death
        • The Making of a Peaceful Death
        • Sayonara
        • Sitting in the Lap of God
        • Cycle
        • My Assailant
        • New Jersey Spring
        • Something Missing
        • Triptych: Art Essay on Death
        • The Heroes of Ecbatana
        • Jane is Dead
        • The Miscarriage
        • A Spiritual Death? The One-Eyed Doe...
        • Black Bears
        • Circus
        • The Road to Nowhere
        • American Jisei
        • Nothing to Lose
        • For Linda
        • For Ryan
        • Mindfall
        • Rest in Peace
        • Love Is Stronger Than Death
        • Twins and M/Others: A Survival Story
        • Due Diligence (A.K.A. Cracking Open Her Case)
        • Empirical Evidence
        • Dissociation
        • 27.2727273 Readers
        • The Nomad
        • Manifesto
        • Baby Island
        • Chinatown, Death, and Women
        • Surrounded by Death
        • Where Sanity Returned
        • Whitney
        • In the Shadow of Mumtaz
        • Of Woods
        • The Egg Broke
        • Playing with Dolls
        • Threadbare
        • Because We Must Lose You
        • Clock Time
        • Gynosis One: Samhain
        • The Last Trimester
        • Crossing
        • Tiny Eve
      • Issue 12: "Southwestern Voices" >
        • Issue 12 Editorial: "Southwestern Voices"
        • Trojan Horses in the Desert
        • You Can See the Silence
        • Fleeing Oklahoma
        • North Rim, Grand Canyon, AZ
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        • Our Lady
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        • Tales from the Health Club
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        • The Missing Girls
        • It Has Become Our Will: Onward with Adrienne Rich (1929-2012)
        • A Conversation with bell hooks
        • Gertrude Stein, Hitler, and Vichy-France
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        • Organic Evolution
        • Eclipse of Hope
        • I Lied
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        • Translations of Poems by Shez
        • In Memoriam: Christa Wolf
      • Issue 11: "Are Lesbians Going Extinct," #2 >
        • Editorial_11
        • Invisible Outline
        • We Live as Two Lesbians
        • PrognostiKate
        • Dinosaurs & Haircuts: A Performance Monologue
        • To Be Real
        • Matrices
        • Coming Into Word
        • Prince of Paris
        • Ending Patriarchy
        • The Revolutionary Is the One who Begins Again
        • Always a Lesbian
        • Anti- Rape
        • Walking the Moon
        • Entanglement
        • Women Alone
        • No One Lives Her Life
        • Coming Out of the Straightjacket
        • Oscar of Between
        • Michele Causse
        • Jill Johnston
      • Issue 10: "Are Lesbians Going Extinct?" #1 >
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        • On Living with a Poem for 20 Years: Judy Grahn's "A Woman Is Talking to Death"
        • And Will Rise? Notes on Lesbian ExtinctionNew Page
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        • Letter for Cynthia Rich
        • Dispatches from an Australian Radicalesbianfeminist
        • No Longer Burning
        • Reinvention and the Everyday
        • The Personal is Political
        • Notes on Reinvention and Extinction
        • Dyke on a Haybale: A Lesbian Teen in Kansas Speaks Out
        • Gay Trans and the Queering in Between
        • Lesbian Lament
        • The Inconvenient Truth about Teena Brandon
        • Who Says We're Extinct?
        • She Who
        • Lesbians Going All The Way
        • Trivia Saves Lives
        • Notes on Contributors
      • Issue 9: Thinking of Goddesses >
        • Vulture Medicine Augury
        • When hens were flying and god was not yet born
        • Canoeing our Way back to the Divine Feminine in Taino Spirituality
        • Testify
        • Young Pagan Goddess
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        • For Want of a Goddess
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        • What is Goddess? Toward an ontology of women giving birth. . .
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An Interview with Sharon Doubiago
Julia Doughty

Sharon Doubiago
Sharon Doubiago’s memoir, My Father’s Love: Portrait of the Poet as a Young Woman, Volume 1 (Wild Ocean Press, 2009), was a finalist in the Northern California Book Awards in Creative Nonfiction, 2010. My Father’s Love: Portrait of the Poet as a Woman, Volume 2, was published in 2011 (Wild Ocean Press). Love on the Streets: New and Selected Poems (University of Pittsburgh Press, 2008) received the Glenna Luschei Distinguished Poet Award and was a finalist in the Paterson New Jersey Poetry Prize. She has written two dozen books of poetry and prose, most notably the epic poem Hard Country (West End Press, 1982; 1999), Psyche Drives the Coast (Empty Bowl Press, 1990) for which she holds the Oregon Book Award for Poetry, the book-length poem South America Mi Hija (University of Pittsburgh Press, 1992), which was nominated twice for the National Book Award, and the story collections El Nino (Lost Roads Press, 1989) and The Book of Seeing with One’s Own Eyes (Graywolf Press, 1988), which was selected to the Oregon Culture Heritage list, Literary Oregon: 100 Books, 1800-2000. She holds three Pushcart Prizes for poetry and fiction, two Oregon Institute of Literary Art Fellowships, and a California Arts Council Award. She’s published over a hundred essays—from the personal and creative to the scholarly. She is a board member of PEN Oakland. A new collection of poetry, Naked to the Earth, will be published later this year, and a new collection of memoir stories, Why She Loved Him is circulating.

Note: This is an excerpt of a longer interview, which can be read here.

​Julia: Every book you’ve written is part of your epic, your story this lifetime, is about you placed within your family relations, your communities and places, your country, within current circumstances and looking back in time. Each book then, refers to the ones that came before. Your first book, Hard Country, started with you writing the story you already knew and what you were discovering about its greater contexts; you were writing it down. You were writing it down after a long self-imposed silence, the aftermath of your father’s sexual violations and a story you wrote anonymously about it and the academics’ reactions to that story. 
[The short story, “California Daughter,” was eventually published in Aphra
, New York. Spring Summer, 1976, another first publication, though it was written six years before, in graduate school.]

The Visit (Wild Ocean Press; available from Small Press Distribution) comes after your two-volume My Father’s Love, which profoundly describes the complex contexts—personal, familial, social, historical—of your father’s sexual violations, and of your parents’ and siblings’ fundamental betrayals of your shared truths. An epic poem, The Visit focuses on your relationship with Kha-che-chee/Jack Retasket, Shuswap-Lilloet/Statlmx, who suffered abuse and rape as a child at the Kamloops Indian Residential [Catholic] School, and later, in his 50s, was imprisoned for weakly proven allegations of sexual violations of his girlfriend’s daughter.
 
Please share your view of how Western colonial, patriarchal culture has fostered and framed male sexual violations. And how your contemplations of indigenous, matriarchal cultures have influenced your writing about this issue.
 
Sharon: Much, maybe most of our psychoses, especially the commonness of sexual violations, are the result of our Western colonial, patriarchal culture, not as is generally preached and accepted, that, most basically, we are savages/rapists/sinners, that the Church and State “civilize” us; save us from our sins. I see our patriarchy—the State and the Church— at the roots of our profound dysfunctionalisms. The child is conceived inside the woman, matures there, is born to her, is traditionally raised by her. Maturation demands that the child reject her, the mother, and turn to the father, the male. It’s all there in the first story of Western Literature: the House of Atreus. This is the way I put it in the interview that accompanies the book poem The Husband Arcane     The Arcane of O:

…I thought about the House of Atreus…of the killings that just keep on through the generations: Agamemnon tricks his daughter and wife into the sacrifice of the daughter, Iphigenia, so we can have the first patriarchal war, Troy. Then Clytemnestra, the mother, kills him for killing their daughter. And then their son, Orestes, avenges his father by killing his mother, Clytemnestra. This is the root of western literature and our legal system. It’s the same family but it is forgotten, with each subsequent play, what the original crime was. Patriarchal rule is fully established by Orestes’ trial when Athena, daughter of Zeus and presiding judge, declares her verdict: “I am wholly for the male…and entirely on the father’s side.” 

Most men are innocent in the sense they’ve accepted their privileges and dominance as being State and God-given; it’s called growing up. Their privileged, patriarchal role frees them, or delivers them to all sorts of sins of hierarchy.

​The psychodrama of the boy born from/to a woman, on whom he is dependent, for whom he experiences first love, but who then growing into manhood learns his primal connection to her is the very thing he must kill, to gain respect, to become “a man.” (Is there anything worse for the male than being called a Mama’s boy?)     

Men like to think—well, the men I grew up with and many friends and lovers since—that their role is to liberate women by way of sex. Then to impregnate them and then imprison them and throw away the key (out of their own fear of patriarchy). In a visionary, even love sense, they like to believe that they are the female’s liberator—and then her keeper.

Our legal, societal, religious notions encourage male sex violation. We encourage them to be "men," that is, in some deepest sense, to be rapists. (Apologies for the reduction, offensive and inadequate, but just think of this for a minute!) Why are men sexually attracted to children? Violating their own children is affirming as positive what was done to them, their own rapes. Violating their own children is affirming their manhood and their own fathers; it's finding primal connection equal to the mother's.​

Read the longer interview here.


Working notes

SHARON: After the publication of The Visit, Julia conducted this interview with me by email. I was happy to cover more of the issues. Oregon’s governor, Kate Brown, the first openly bisexual governor, has signed the proclamation releasing Jack Retasket from Two Rivers Institution back to Canada (to a prison). We await this move. The Truth and Reconciliation Committee, so moved by his testimony those six hours at Two Rivers, is taking it to the highest judiciary level.
 
JULIA: As I said in this interview, Sharon encouraged my writing at a time when I questioned whether to keep focusing on it. We subsequently have worked together: I’ve edited her writings and she has over the years continued to encourage my writing. We have often discussed the options for publishing and self-publishing, and those routes have certainly changed over the years. As ever, I have primarily self-published and she has published in small presses. 


About the author

Julia Doughty
Julia Doughty has taught writing courses independently as well as in community centers, colleges, and schools throughout California since 1989. As an instructor, her titles have included California Arts Council Guest Artist, California Poet-in-the-Schools, San Diego Writer-in-Residence, and Witter Bynner Foundation for Poetry grant recipient.

Her plays have been produced in San Diego theatres, including The Fritz Theatre, Studio 856, The Bowery Theatre, and Sushi Performance Gallery.

She was editor and contributing writer from 2006-2011 for Ensemble Jourine: Art and Hybrid Writing by International Women, and Ensemble Antholozine/Anthology. You can find her current chapbooks here.

"We are volcanoes. When we women offer our experience as our truth, as human truth, all the maps change.
There are new mountains." (Ursula K. Le Guin, 1986)
  • Home
  • Editors
  • Current Issue
    • The Roots of Awareness
    • At the Roots
    • Pink House
    • The Passionate Pursuits of Angela Bowen
    • Conversations with a Bee, a Lily, and a Bear
    • Morning Song
    • Radical Expression(s)
    • Radical: A Tribute to Barbara Mor
    • Radical Lesbian Feminism in Practice
    • Abe Louise Young: A Suite of Poems
    • Capacity
    • Plastic Swimming Caps
    • Eris: The Radical Feminine Awakens
    • Ascension of St. Thomas: The Sensual Immortals
    • My Women Have Spoken
    • Some Women
    • Hunting Woman
    • Unplugging Your Inner Patriarchy
    • She Who Carries the Seeds
    • Allison Merriweather: A Suite of Images
    • Localized Deafness: A Suite of Poems
    • Naked in the Woods
    • An Interview with Carol Anne Douglas
    • Imagining Differently: Revisiting Radical Feminism
    • Feminism
    • Who the Hell Is Rosie Méndez?
    • First Responder Who Only Fainted During Training Videos
    • Index of Jobs for Women
    • Screwnomics
    • Menstruation
    • Merkin Art: A Suite of Pussies
    • "A Witch, A Cat Woman": Cat Woman's Patriarchal Roots
    • Feminism in the Work of Michele Pred
    • Lucky Girl
    • The Social, Cultural, and Political Necessity of Anne Sexton
    • An Interview with Sharon Doubiago
    • Confrontation with the Rapist
    • Defense Attorney's Lament
    • Entertainment for Men
    • Greve Series / White Works
    • A Review of Donna Prinzmetal's Snow White
    • Laws of Kissing If Newton Were a Woman
    • Two Poems by Judith Terzi
    • One of the Cronettes
    • Inspiration
  • Previous Issues
    • Voices of Feminism >
      • Issue 16: "Feminisms" >
        • Toward a Theory and Praxis of Sustainable Feminism
        • Feminisms: Inclusion as a Radical Act
        • Grace
        • Three Ekphrastic Poems
        • Braids
        • Medusa
        • Who's Coming Along: Denise Duhamel, Maureen Seaton, and Collaboration Today
        • We had rituals we didn't know what for
        • A Brief History of a Feminist Mind
        • Marge Piercy: On Feminism, Politics, and Writing
        • Lack of Cover
        • Refresh
        • Crabby Apples
        • A Place of Storytelling and Sustenance: Molly Sutton Kiefer's Nestuary
        • When She Was Two
        • Margaret Sanger Speaks
        • A Song for Maman Dantor
        • Listen
        • Abiquiu
        • Changing
        • Barbie at Rest
        • When We Crack, Let's Do It Together
        • Duel
        • Domestic Constellation
        • America the Beautiful
        • Death of a Valkyrie
        • Old Woman Who Grieves War
        • I Read My Death in the Winter Stars
        • Femenina Sube: My Aquarian Age
        • The Straight Mind at Work at the Heart of Queer Theory
        • Journal: In the Bois de Vincennes
        • Landlady Emily Carr
        • Scenario For a New Agenda
        • I Could Do That
      • Issue 15: "Animal Instincts" >
        • Women. Horse. Mountain.
        • My Pre-Feminist Animal Instincts
        • Our Animal Selves
        • Presage
        • Animal Self
        • Comings and Goings
        • And the Hawk Flies
        • Birds of a Feather
        • Proper Adornment
        • Reverie
        • Algonquin Anthology
        • Sea Stars
        • Immortal
        • Spirit Horse
        • First Cousins: A Suite of Poems
        • Bird of Prey
        • Crows
        • Harpy
        • Snake I Come
        • Approaching the Gate
        • Horses in Winter
        • "Domestic Terrorist"
        • Homeless
        • Displacement
        • The Mornings After
        • Gust of Win
        • Squirrel Dick
        • Cats
        • Frankie
        • Worms
        • Animal Cracker
        • I Don't Believe in Marriage
        • Drawing on the Dream
        • The Cow with a Human Face
        • Orangutans at the Jardin des Plantes
        • Abattoir
        • In for Life
        • I Am Shark
        • Giving Voice to Bear
        • Threshold Crossing
        • The Mark of the Bear
        • Discernment Is All
        • Bears at Midnight
        • The Musky Scent of Bear
        • Baggage
        • The End of Our Friendship
        • Four Mile River Road: 1 Mile
        • The White Dog
        • White Dog/Blue Pearls
        • Baby Dream #15
        • Baby Dream #39
        • Fish Songs
        • Today I Fished
        • The Surgeon's Territory
        • Boudoir Portrait
        • The First Six Months of Survival
        • P for Patience
        • French Pout
        • My Next Girlfriend
        • Winter Solstice
      • Issue 14: "Preoccupation" >
        • Wheatpastes
        • An Editorial: "It's not time to worry yet."
        • Courage
        • Dispirited
        • Voices
        • Falling
        • Sunset #2
        • Cut You Out
        • Brooding
        • Planetary
        • Sleeping. Dreaming.
        • Drama with the Neighbor
        • Woman to Woman
        • The Conspiracy of Chores
        • Murder
        • White Sunset Through a Mesquite Tree
        • Patricia Cornflake's Lesbian Lifestyle
        • Doldrums, Horse Latitudes, and Tropics
        • A Woman Poet's Critique of Words Too Commonly Spoken
        • Memory's Witness
        • Finding Edges
        • Oh, That Bed! That Bed!
        • Mother, Daughter
        • Here We Are
        • Crazy Jane Addams Occupies Hull's House
        • Virtue
        • The Canary
        • White Sunset #3
        • Flow
        • Citrus
        • The Devil Finds Work for Idle Hands
        • Occupy Wall Street Poster
        • The Tent
        • Occupy Me!
        • (post)Occupation
        • The Poison Our Grandmothers and Mothers Drank
        • Hellish Clout
        • Tangle
        • The Bathing Scene from Marguerite Duras's "The Lover"
        • As I Lie
        • The Therapist
      • Issue 13: "Death" >
        • A Feminist Editorial on Death
        • Plucked
        • Chromosomal Geography
        • The Clinic
        • Offal
        • I Have Come to Show You Death
        • The Making of a Peaceful Death
        • Sayonara
        • Sitting in the Lap of God
        • Cycle
        • My Assailant
        • New Jersey Spring
        • Something Missing
        • Triptych: Art Essay on Death
        • The Heroes of Ecbatana
        • Jane is Dead
        • The Miscarriage
        • A Spiritual Death? The One-Eyed Doe...
        • Black Bears
        • Circus
        • The Road to Nowhere
        • American Jisei
        • Nothing to Lose
        • For Linda
        • For Ryan
        • Mindfall
        • Rest in Peace
        • Love Is Stronger Than Death
        • Twins and M/Others: A Survival Story
        • Due Diligence (A.K.A. Cracking Open Her Case)
        • Empirical Evidence
        • Dissociation
        • 27.2727273 Readers
        • The Nomad
        • Manifesto
        • Baby Island
        • Chinatown, Death, and Women
        • Surrounded by Death
        • Where Sanity Returned
        • Whitney
        • In the Shadow of Mumtaz
        • Of Woods
        • The Egg Broke
        • Playing with Dolls
        • Threadbare
        • Because We Must Lose You
        • Clock Time
        • Gynosis One: Samhain
        • The Last Trimester
        • Crossing
        • Tiny Eve
      • Issue 12: "Southwestern Voices" >
        • Issue 12 Editorial: "Southwestern Voices"
        • Trojan Horses in the Desert
        • You Can See the Silence
        • Fleeing Oklahoma
        • North Rim, Grand Canyon, AZ
        • Mobius Arch, Alabama Hills, CA
        • Vasquez Rocks Natural Area, CA
        • Our Lady
        • Mothers of Beauty
        • Talking Incest
        • Desire
        • Tales from the Health Club
        • Three Years Old Watching the Open Sky
        • The Missing Girls
        • It Has Become Our Will: Onward with Adrienne Rich (1929-2012)
        • A Conversation with bell hooks
        • Gertrude Stein, Hitler, and Vichy-France
        • Tinker Tailor Soldier Stein
        • Organic Evolution
        • Eclipse of Hope
        • I Lied
        • First Apartment
        • Translations of Poems by Shez
        • In Memoriam: Christa Wolf
      • Issue 11: "Are Lesbians Going Extinct," #2 >
        • Editorial_11
        • Invisible Outline
        • We Live as Two Lesbians
        • PrognostiKate
        • Dinosaurs & Haircuts: A Performance Monologue
        • To Be Real
        • Matrices
        • Coming Into Word
        • Prince of Paris
        • Ending Patriarchy
        • The Revolutionary Is the One who Begins Again
        • Always a Lesbian
        • Anti- Rape
        • Walking the Moon
        • Entanglement
        • Women Alone
        • No One Lives Her Life
        • Coming Out of the Straightjacket
        • Oscar of Between
        • Michele Causse
        • Jill Johnston
      • Issue 10: "Are Lesbians Going Extinct?" #1 >
        • Editorials
        • Before and after Sappho: Logos
        • On Living with a Poem for 20 Years: Judy Grahn's "A Woman Is Talking to Death"
        • And Will Rise? Notes on Lesbian ExtinctionNew Page
        • My Mid-term Exam in Lesbian Theory
        • Letter for Cynthia Rich
        • Dispatches from an Australian Radicalesbianfeminist
        • No Longer Burning
        • Reinvention and the Everyday
        • The Personal is Political
        • Notes on Reinvention and Extinction
        • Dyke on a Haybale: A Lesbian Teen in Kansas Speaks Out
        • Gay Trans and the Queering in Between
        • Lesbian Lament
        • The Inconvenient Truth about Teena Brandon
        • Who Says We're Extinct?
        • She Who
        • Lesbians Going All The Way
        • Trivia Saves Lives
        • Notes on Contributors
      • Issue 9: Thinking of Goddesses >
        • Vulture Medicine Augury
        • When hens were flying and god was not yet born
        • Canoeing our Way back to the Divine Feminine in Taino Spirituality
        • Testify
        • Young Pagan Goddess
        • Goddess is Metaformmic
        • For Want of a Goddess
        • Amaterasu- The Great Eastern Sun Goddess of Peace
        • What is Goddess? Toward an ontology of women giving birth. . .
        • Inanna Comes to Me in a Dream
        • First Blood Well The History of Bleeding
        • The Song of Lilith
        • Freedom Speaks Through Us
        • Dulce's Hands
        • Notes on contributors (9)
      • Issue 7/8: Unabashed Knowing >
        • Bad Manners All That Jazz
        • Hypatia
        • Amerika in 5 Parts
        • Screens: The War at Home
        • Invisible Nature
        • Woman-Woman Bonds in Prehistory
        • I Saw a Woman Dance
        • The Edible Parts
        • The Happy Hooker Revisisted
        • Re-membering an Interrupted Conversation:the Mother/Virgin Split
        • Notes on contributors (7/8)
      • Issue 6: The Art of the Possible >
        • The Aerial Lesbian Body: The Politics of Physical Expression
        • Wanting a Gun
        • Red Poppies Among the Ruings
        • Returning Home with Mago, the Great Goddess from East Asia
        • Noah's Wife
        • Reclaiming the Spooky: Matilda Joslyn Gage and Mary Daly as Radical Pioneers of the Esoteric
        • Grand Right and Left
        • Notes on Contributors (6)
      • Issue 5: The Resurrection Issue (2/2007) >
        • Waiting for Sappho
        • A Song of Captain Joan
        • Blue Mojo
        • Why Do Something If it Can be Done
        • In Memoriam: Monique Wittig
        • The Loudest Self
        • Clear and Fierce
        • (B) Orderlands' Lullaby
        • Borderlands
        • akaDARKNESS: on Kathy Acker
        • Remembering Barbara Macdonald
        • The Making of Power
        • Octavia Butler: A note on Xenogenesis as a love story
        • The Essential Angel: Tillie Olsen
        • Carol's Hands
        • Notes on Contributors (5)
      • Issue 4: The Wonderful & The Terrible (9/2006) >
        • Cunctipotence
        • Global Lovers
        • Our Lot
        • Doe a Deer
        • Degendering Sex: Undoing Erotic Alienation
        • Seven Stages of Lesbian Desire (What's Truth Got to Do With It?)
        • That Easter
        • Amazon Grace: Read it Aloud
        • Athene, 2002-2005
        • Notes on Contributors (4)
      • Issue 3: Love & Lust (2/2006) >
        • Conversation with Michele Causse
        • Chloto 1978
        • The Woman with the Secret Name
        • She is Still Burning
        • In the Beginning
        • Sanctuary
        • When Sex is Not the Metaphor for Intimacy
        • Arielle
        • Quotidian Love
        • Leverett
        • After Sappho's Fragments Tips for Natural Disasters Said Before
        • A Lesbian is a Memoir
        • Notes on Contributors (3)
      • Issue 2: Memory (12/2005) >
        • The Lost Days of Columbus
        • Agenesias of the Orld World
        • The Power of the Earth Shake/Rousing
        • Return to Earth
        • Forces of Nature
        • The Beauty Shop
        • The Other Shore
        • Notes on Contributors (2)
      • Issue 1: The Body (10/2004) >
        • Lovesick
        • Guerilla Girl Ponders the Situation
        • The Secret Pornographies of Republicans. What's left? Preferably Knot
        • Communing with Bears
        • TRIVIA LIVES: Division Street
        • After Reading: Les Gueilleres
        • Notes on Contributors (1)
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