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    • Radical Lesbian Feminism in Practice
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    • She Who Carries the Seeds
    • Allison Merriweather: A Suite of Images
    • Localized Deafness: A Suite of Poems
    • Naked in the Woods
    • An Interview with Carol Anne Douglas
    • Imagining Differently: Revisiting Radical Feminism
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    • First Responder Who Only Fainted During Training Videos
    • Index of Jobs for Women
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    • Menstruation
    • Merkin Art: A Suite of Pussies
    • "A Witch, A Cat Woman": Cat Woman's Patriarchal Roots
    • Feminism in the Work of Michele Pred
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    • An Interview with Sharon Doubiago
    • Confrontation with the Rapist
    • Defense Attorney's Lament
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    • Greve Series / White Works
    • A Review of Donna Prinzmetal's Snow White
    • Laws of Kissing If Newton Were a Woman
    • Two Poems by Judith Terzi
    • One of the Cronettes
    • Inspiration
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​The Passionate Pursuits of Angela Bowen
Jennifer Abod

Dr. Angela Bowen - National Women’s Hall of Fame Nomination, 2017
​
​From the inner city streets of Boston, to star dancer, to founder of Connecticut’s beloved Bowen-Peters School of Dance, to black feminist activist, to distinguished writer and professor, Angela Bowen has had many influential identities, and in each one, she has encouraged all around her to reach their fullest potentials and embrace their true selves.
 
Angela Bowen has confronted racism, sexism, and homophobia for over six decades, transforming her own life, and the lives of those around her.
 
Angela Dorithia Bowen was born February 6th, 1936 in Boston. She was the 6th of 7 children; her father, Charles Bowen, who made his way north fleeing the racist conditions of South Carolina, delivered all of his children at home. Bowen’s mother, Sarah Allen Bowen, came to Boston by ship from St. Croix when she was just a teenager. She was able to manage the cost of passage because her father gave her a goat, which she raised and then sold for a ticket. When Angela was two years old, her father died and Mrs. Bowen went to work in other people’s homes while trying to keep her family out of housing projects, which she was able to do.
 
Angela was a bright student who excelled in sports. She was among the few black girls admitted into Boston’s prestigious Girls Latin School. After one year she left to attend Roxbury Memorial High School, which was closer to The Elma Lewis School of Fine Arts. Fourteen was late to begin the arduous demands of classical ballet, but in 1956, two years after she began, Angela danced the pivotal role of the Black Swan at Boston’s Hancock Hall; nearly 60 years before Misty Copeland, the first black ballerina performed the role before a national audience. Lewis (1921-2004) provided young black boys and girls with a world of music, excellent
training and exposure to classical and African dance traditions. Lewis received a MacArthur Fellows Grant in 1981. Bowen was her right hand assistant until she was 21.
 
Upon high school graduation, Bowen received a scholarship to Emerson College, quite the accomplishment given the times. Much to her mother’s horror, Bowen attended college for only two years; she wanted to dance while her body was young. Mrs. Bowen had high hopes for Angela. “Our people don’t need dancers,” she said. “We need doctors and lawyers and teachers.” Sarah Allen died from a heart attack while on her job as a domestic worker; that is when Bowen left Lewis’s school with her dance partner for professional opportunities. They made their way to the “Great White Way” during the era of No Blacks on Broadway. “We knew they wouldn’t take us, but we auditioned anyway - over and over again, just to be in their faces,” says Bowen. The only opportunities for them were in Europe. They tried out for the historic “Jazz Train” and toured in Italy and Germany.
 
The wooden floors at the famed La Scala Opera house were rough and splintered, worn from donkey carts rolled onto the stage during operas. The producers refused to provide sandal soles to protect the dancers' feet. Angela, one of the youngest members of the company threatened the producers with a boycott unless they received sandal soles. Some members of the troupe were against her position, nevertheless, Bowen recalls, “what are they going to do, fire us all?” Bowen says, “It took only one night before they had the sandal soles. They were too cheap to get them. They were willing to let us suffer.” Bowen loved dancing and being on stage, however, the conditions and pay were not good, and she missed the lively political conversations she was used to.
 
Bowen received advice from an older fellow dancer. He told her that she “really didn’t belong there,” and she agreed. While she loved the dancing and being on stage, she had set her sites on creating her own dance school, returned to Boston. She married Ken Peters, a drummer. Together they opened The Bowen Peters School of Dance in 1963, in New Haven, Connecticut. Bowen Peters provided the city and the state with cultural enrichment for children and parents through their classes, performances, and presentations, during the tumultuous and dramatic years of the Civil Rights Movement and Black Empowerment.
 
Bowen brought visiting choreographers to set their dances on her students, and African students from Yale University helped teach the Bowen Peters dancers and drummers, initiated Black History and Culture programs in the public schools, and instituted Teacher Training Programs throughout the state. She served as arts advocate and liaison to the community, business, corporate, state and national leaders.

In 2008, the Mayor of New Haven, John Destefano. Jr., issued a Proclamation “for a Lifetime of Commitment,” declaring April 2nd to be Bowen Peters School of Dance Day. The Bowen Peters school of Dance saved and changed forever the lives of inner city children and their parents for nearly 20 years.
 
Bowen’s legacy continues through the untold numbers she has influenced. Among her students are state and federal Judges, Teachers, Religious Leaders, Artists, and Dancers, an international Water Choreographer, and the director of the Alvin Ailey School for young people. Lucretia Mack, Bowen’s first prima ballerina, and who quit dancing for marriage, recently wrote to Bowen to tell her that she passed along everything she had learned from her to her son Brooklyn, who is a classical dancer who tours all over the world. Last year he last danced with Misty Copeland.

Bowen received many awards including:

The Women in Leadership award, YWCA

The Nannie Burroughs Award

Business Woman of the Year, The National Association of Negro Business and Professional Women’s Clubs

The Arts Award, Arts Council of Greater New Haven Bowen-Peters performance of “Lena” choreographed by George Howard WGBH-TV, Emmy Award
​
Honoree, Celebration of Women in Dance, The Thelma Hill Performing Arts Center
 
Honoree, Black Women of Connecticut, Connecticut Humanities Council and the Connecticut Historical Society


In the early 1980s, Bowen made the most difficult decision in her life when she decided to close the school to join the feminist movement and the women who were inspiring her to become a writer, activist, and social justice change agent. She moved back to Boston to be near her children’s grandmother and became a grant writer and event coordinator for Casa Myrna Vazquez, a battered women’s shelter.

​When there were few out black feminists, let alone lesbians, Bowen spoke about revolutionary feminism, black lesbian and gay life, lesbian parenting, and honoring diversity nationally and internationally. She spoke at rallies and marches at the state house and on national radio and television programs. Her voice was clear and strong against a Massachusetts state ruling, which prohibited Lesbians and Gays from adopting foster children. Bowen was a mother and a foster mother.
 
In her speeches she focused on coalition building, gay and lesbian pride, the importance of “owning your own life, and the intersection of racism, sexism and classism.” Bowen spoke at over 60 colleges, and universities, she was frequent keynote speaker at conferences, clubs and organizations, including The Girl Scouts of America, and appeared on local and national radio and television shows including Black Entertainment Television and on WBZ, TV Boston on the first National Coming Out Day.
 
Bowen served as Co-chair of the National Coalition of Black Lesbians and Gays with its founder A. Billy Jones, and was the Editor of Black/Out, the organizations national magazine. She spoke at the first International conference for Women in Nairobi, Kenya, in the Netherlands. In Italy she was a featured speaker at a Conference on the influential Black Lesbian Feminist Poet Audre Lorde.
 
Bowen was an excellent organizer. In 1990 she was the co-coordinator of the "I Am Your Sister: Forging Global Connections Across Difference," transnational conference, attended by more than 1200 women, men and activist youth from 23 countries. The conference is documented in the award winning film: "The Edge of Each Other's Battles: The Vision of Audre Lorde," (Women Make Movies). Bowen’s awards for her activism and publications include:

Outstanding Contributions Toward Ending Domestic Violence,” Casa Myrna Vazquez, a battered women’s shelter in Boston
 
"The Fanny Lou Hamer Award” Money for Women/Barbara Deming Memorial Fund
 
The Boston Rainbow Alliance Award for Activism to the Lesbian/Gay community

For “Social Change in the Boston Community, Boston Women’s Fund

 
Bowen was a wonderful writer. And in her return to Boston she attended A Feminist Writers Retreat and took writing workshops. She wrote for feminist newspapers and journals and was the first to write reviews of now classic feminist books and journals written and produced by white women and women of color.

In her fifties Bowen returned to college to complete her Bachelor's degree at U Mass Boston, having received the Chancellor’s Scholarship for Excellence for “Outstanding service to the community. She had supportive mentors who appreciated her talents and skills. They also encouraged her to continue her education, something she had no intention of pursuing. “I needed to get a job to support my daughter through college.” But she did apply and Bowen was the first PhD Graduate in Women’s Studies Program at Clark University, and one of the first in the country.
 
Bowen’s dissertation, "Who Said it was Simple: Audre Lorde's Complex Connections between Three Liberation Movements," (1997) is the first dissertation about Audre Lorde. An excerpt is included in "The Wind is Spirit: A bio/anthology of Audre Lorde” edited by Dr. Gloria Joseph, (2016).
 
Bowen began working at Cal State Long Beach in the mid 1990s as the first black woman in the 30-year history of the Women’s Studies Department. She taught for 13 years. Bowen’s mission was to discover and encourage a diverse group of students to go on to higher education. She wanted them to be tops in their field and to help diversify the academy. She always told her students, “Find your allies.” Because of her mentorship, over two-dozen students from diverse backgrounds are now working in the academy or are tops in their particular fields.
 
Bowen was a frequent presenter at the National Women’s Studies Association. She received fellowships and scholarships from the Ruth M. Batson Education Fund, the National Women’s Studies Association, the New England Higher Ed & University of Maine Minority Dissertation Fellowship, the E. Franklin Frazier Fellowship, Clark University, the Davis- Putter Academic/Community Service Scholarship, and the Naid Press Lesbian Research Award.
 
Bowen passed along her organizing skills to her students. Under her guidance in her “Women and Power” course, the students organized a conference called “The Beautiful Body of Women,” which led them to create The Women’s Studies Students Association.
 
Her mission in the classroom was to introduce and create courses about the experiences of women of color. The CSULB Women and Science Project, "Finding and Holding Women of Color in Science,” included a booklet of Women of Color Scientists that she designed. Bowen was the innovator of many course “firsts” including American Ethnic Writers, Black Women in America, the Toni Morrison Seminar, U.S. Women of Color, and Women Writers of the Harlem Renaissance.
 
While at university, she was President’s of the Commission on the Status of Women, which focused on gaining equal pay at the university for women. In 2000 she received an award for “Outstanding Leadership and Dedication,” was Advisor for Partners for Success, contributed to the Women’s Resource Center Services and Programs, and was Advisor to the Lesbian, Gay, Bisexual, and Transgender Resource Center.
 
Angela was selected to be the Keynote speaker at the first LGBTQ graduation ceremony at Cal State Long Beach. Dr. Bowen dedicated her speech to her Mother.
 
In 2012 Bowen’s book “Out of the Blue: Aleta’s Stories” a semi- autobiographical fictional collection of short stories was published and is now being taught in university classrooms. Bowen retired due to illness in 2010. Her life is the subject of a feature documentary being distributed by Women Make Movies: “The Passionate Pursuits of Angela Bowen,” 2016.
 
Selected Writings
 
“Interdisciplinarily Speaking.” Feminist Teacher. Ed. Gail E. Cohee. Vol. 14.1 (Winter 2002).
 
"Anita Cornwell" and "Black Lesbian Feminism." Lesbian Histories and Cultures: An Encyclopedia. Ed. Bonnie Zimmerman. New York: Garland Press.
 
"Testifying: My Experience in Women's Studies Doctoral Training at Clark University." Journal of Feminist Studies. Vol.
24.2 (Summer).

"Enabling a Visible Black Lesbian Presence in Academia: A Radically Reasonable Request" in Radically Speaking: Feminism Reclaimed. Eds. Diane Bell and Renate Klein. Melbourne, Australia: Spinifex Press.
 
"Take Your Pageant and Shove It." Radically Speaking: Feminism Reclaimed. Eds. Diane Bell and Renate Klein. Melbourne, Australia: Spinifex Press. (Originally published in The Village Voice)
 
"Completing the Kente: Enabling the Presence of Out Black Lesbians in Academia." Lesbian Studies. Eds. Bonnie Zimmerman and Toni McNaron. New York: Feminist Press.




Working notes


About the author

Jennifer Abod
Jennifer Abod is a feminist musician, journalist, activist, and documentary filmmaker. She holds a Ph.D. from Union Institute and University. Jennifer was co-founder and singer in the New Haven Women's Liberation Rock Band and was the first woman in Connecticut to host a talk radio program. Her first documentary in 2002 was titled "The Edge of Each Other's Battles: The Vision of Audre Lorde." For more information, visit her website.

"We are volcanoes. When we women offer our experience as our truth, as human truth, all the maps change.
There are new mountains." (Ursula K. Le Guin, 1986)
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    • Conversations with a Bee, a Lily, and a Bear
    • Morning Song
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    • Radical: A Tribute to Barbara Mor
    • Radical Lesbian Feminism in Practice
    • Abe Louise Young: A Suite of Poems
    • Capacity
    • Plastic Swimming Caps
    • Eris: The Radical Feminine Awakens
    • Ascension of St. Thomas: The Sensual Immortals
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    • Unplugging Your Inner Patriarchy
    • She Who Carries the Seeds
    • Allison Merriweather: A Suite of Images
    • Localized Deafness: A Suite of Poems
    • Naked in the Woods
    • An Interview with Carol Anne Douglas
    • Imagining Differently: Revisiting Radical Feminism
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    • Who the Hell Is Rosie Méndez?
    • First Responder Who Only Fainted During Training Videos
    • Index of Jobs for Women
    • Screwnomics
    • Menstruation
    • Merkin Art: A Suite of Pussies
    • "A Witch, A Cat Woman": Cat Woman's Patriarchal Roots
    • Feminism in the Work of Michele Pred
    • Lucky Girl
    • The Social, Cultural, and Political Necessity of Anne Sexton
    • An Interview with Sharon Doubiago
    • Confrontation with the Rapist
    • Defense Attorney's Lament
    • Entertainment for Men
    • Greve Series / White Works
    • A Review of Donna Prinzmetal's Snow White
    • Laws of Kissing If Newton Were a Woman
    • Two Poems by Judith Terzi
    • One of the Cronettes
    • Inspiration
  • Previous Issues
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        • Feminisms: Inclusion as a Radical Act
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        • Three Ekphrastic Poems
        • Braids
        • Medusa
        • Who's Coming Along: Denise Duhamel, Maureen Seaton, and Collaboration Today
        • We had rituals we didn't know what for
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        • I Read My Death in the Winter Stars
        • Femenina Sube: My Aquarian Age
        • The Straight Mind at Work at the Heart of Queer Theory
        • Journal: In the Bois de Vincennes
        • Landlady Emily Carr
        • Scenario For a New Agenda
        • I Could Do That
      • Issue 15: "Animal Instincts" >
        • Women. Horse. Mountain.
        • My Pre-Feminist Animal Instincts
        • Our Animal Selves
        • Presage
        • Animal Self
        • Comings and Goings
        • And the Hawk Flies
        • Birds of a Feather
        • Proper Adornment
        • Reverie
        • Algonquin Anthology
        • Sea Stars
        • Immortal
        • Spirit Horse
        • First Cousins: A Suite of Poems
        • Bird of Prey
        • Crows
        • Harpy
        • Snake I Come
        • Approaching the Gate
        • Horses in Winter
        • "Domestic Terrorist"
        • Homeless
        • Displacement
        • The Mornings After
        • Gust of Win
        • Squirrel Dick
        • Cats
        • Frankie
        • Worms
        • Animal Cracker
        • I Don't Believe in Marriage
        • Drawing on the Dream
        • The Cow with a Human Face
        • Orangutans at the Jardin des Plantes
        • Abattoir
        • In for Life
        • I Am Shark
        • Giving Voice to Bear
        • Threshold Crossing
        • The Mark of the Bear
        • Discernment Is All
        • Bears at Midnight
        • The Musky Scent of Bear
        • Baggage
        • The End of Our Friendship
        • Four Mile River Road: 1 Mile
        • The White Dog
        • White Dog/Blue Pearls
        • Baby Dream #15
        • Baby Dream #39
        • Fish Songs
        • Today I Fished
        • The Surgeon's Territory
        • Boudoir Portrait
        • The First Six Months of Survival
        • P for Patience
        • French Pout
        • My Next Girlfriend
        • Winter Solstice
      • Issue 14: "Preoccupation" >
        • Wheatpastes
        • An Editorial: "It's not time to worry yet."
        • Courage
        • Dispirited
        • Voices
        • Falling
        • Sunset #2
        • Cut You Out
        • Brooding
        • Planetary
        • Sleeping. Dreaming.
        • Drama with the Neighbor
        • Woman to Woman
        • The Conspiracy of Chores
        • Murder
        • White Sunset Through a Mesquite Tree
        • Patricia Cornflake's Lesbian Lifestyle
        • Doldrums, Horse Latitudes, and Tropics
        • A Woman Poet's Critique of Words Too Commonly Spoken
        • Memory's Witness
        • Finding Edges
        • Oh, That Bed! That Bed!
        • Mother, Daughter
        • Here We Are
        • Crazy Jane Addams Occupies Hull's House
        • Virtue
        • The Canary
        • White Sunset #3
        • Flow
        • Citrus
        • The Devil Finds Work for Idle Hands
        • Occupy Wall Street Poster
        • The Tent
        • Occupy Me!
        • (post)Occupation
        • The Poison Our Grandmothers and Mothers Drank
        • Hellish Clout
        • Tangle
        • The Bathing Scene from Marguerite Duras's "The Lover"
        • As I Lie
        • The Therapist
      • Issue 13: "Death" >
        • A Feminist Editorial on Death
        • Plucked
        • Chromosomal Geography
        • The Clinic
        • Offal
        • I Have Come to Show You Death
        • The Making of a Peaceful Death
        • Sayonara
        • Sitting in the Lap of God
        • Cycle
        • My Assailant
        • New Jersey Spring
        • Something Missing
        • Triptych: Art Essay on Death
        • The Heroes of Ecbatana
        • Jane is Dead
        • The Miscarriage
        • A Spiritual Death? The One-Eyed Doe...
        • Black Bears
        • Circus
        • The Road to Nowhere
        • American Jisei
        • Nothing to Lose
        • For Linda
        • For Ryan
        • Mindfall
        • Rest in Peace
        • Love Is Stronger Than Death
        • Twins and M/Others: A Survival Story
        • Due Diligence (A.K.A. Cracking Open Her Case)
        • Empirical Evidence
        • Dissociation
        • 27.2727273 Readers
        • The Nomad
        • Manifesto
        • Baby Island
        • Chinatown, Death, and Women
        • Surrounded by Death
        • Where Sanity Returned
        • Whitney
        • In the Shadow of Mumtaz
        • Of Woods
        • The Egg Broke
        • Playing with Dolls
        • Threadbare
        • Because We Must Lose You
        • Clock Time
        • Gynosis One: Samhain
        • The Last Trimester
        • Crossing
        • Tiny Eve
      • Issue 12: "Southwestern Voices" >
        • Issue 12 Editorial: "Southwestern Voices"
        • Trojan Horses in the Desert
        • You Can See the Silence
        • Fleeing Oklahoma
        • North Rim, Grand Canyon, AZ
        • Mobius Arch, Alabama Hills, CA
        • Vasquez Rocks Natural Area, CA
        • Our Lady
        • Mothers of Beauty
        • Talking Incest
        • Desire
        • Tales from the Health Club
        • Three Years Old Watching the Open Sky
        • The Missing Girls
        • It Has Become Our Will: Onward with Adrienne Rich (1929-2012)
        • A Conversation with bell hooks
        • Gertrude Stein, Hitler, and Vichy-France
        • Tinker Tailor Soldier Stein
        • Organic Evolution
        • Eclipse of Hope
        • I Lied
        • First Apartment
        • Translations of Poems by Shez
        • In Memoriam: Christa Wolf
      • Issue 11: "Are Lesbians Going Extinct," #2 >
        • Editorial_11
        • Invisible Outline
        • We Live as Two Lesbians
        • PrognostiKate
        • Dinosaurs & Haircuts: A Performance Monologue
        • To Be Real
        • Matrices
        • Coming Into Word
        • Prince of Paris
        • Ending Patriarchy
        • The Revolutionary Is the One who Begins Again
        • Always a Lesbian
        • Anti- Rape
        • Walking the Moon
        • Entanglement
        • Women Alone
        • No One Lives Her Life
        • Coming Out of the Straightjacket
        • Oscar of Between
        • Michele Causse
        • Jill Johnston
      • Issue 10: "Are Lesbians Going Extinct?" #1 >
        • Editorials
        • Before and after Sappho: Logos
        • On Living with a Poem for 20 Years: Judy Grahn's "A Woman Is Talking to Death"
        • And Will Rise? Notes on Lesbian ExtinctionNew Page
        • My Mid-term Exam in Lesbian Theory
        • Letter for Cynthia Rich
        • Dispatches from an Australian Radicalesbianfeminist
        • No Longer Burning
        • Reinvention and the Everyday
        • The Personal is Political
        • Notes on Reinvention and Extinction
        • Dyke on a Haybale: A Lesbian Teen in Kansas Speaks Out
        • Gay Trans and the Queering in Between
        • Lesbian Lament
        • The Inconvenient Truth about Teena Brandon
        • Who Says We're Extinct?
        • She Who
        • Lesbians Going All The Way
        • Trivia Saves Lives
        • Notes on Contributors
      • Issue 9: Thinking of Goddesses >
        • Vulture Medicine Augury
        • When hens were flying and god was not yet born
        • Canoeing our Way back to the Divine Feminine in Taino Spirituality
        • Testify
        • Young Pagan Goddess
        • Goddess is Metaformmic
        • For Want of a Goddess
        • Amaterasu- The Great Eastern Sun Goddess of Peace
        • What is Goddess? Toward an ontology of women giving birth. . .
        • Inanna Comes to Me in a Dream
        • First Blood Well The History of Bleeding
        • The Song of Lilith
        • Freedom Speaks Through Us
        • Dulce's Hands
        • Notes on contributors (9)
      • Issue 7/8: Unabashed Knowing >
        • Bad Manners All That Jazz
        • Hypatia
        • Amerika in 5 Parts
        • Screens: The War at Home
        • Invisible Nature
        • Woman-Woman Bonds in Prehistory
        • I Saw a Woman Dance
        • The Edible Parts
        • The Happy Hooker Revisisted
        • Re-membering an Interrupted Conversation:the Mother/Virgin Split
        • Notes on contributors (7/8)
      • Issue 6: The Art of the Possible >
        • The Aerial Lesbian Body: The Politics of Physical Expression
        • Wanting a Gun
        • Red Poppies Among the Ruings
        • Returning Home with Mago, the Great Goddess from East Asia
        • Noah's Wife
        • Reclaiming the Spooky: Matilda Joslyn Gage and Mary Daly as Radical Pioneers of the Esoteric
        • Grand Right and Left
        • Notes on Contributors (6)
      • Issue 5: The Resurrection Issue (2/2007) >
        • Waiting for Sappho
        • A Song of Captain Joan
        • Blue Mojo
        • Why Do Something If it Can be Done
        • In Memoriam: Monique Wittig
        • The Loudest Self
        • Clear and Fierce
        • (B) Orderlands' Lullaby
        • Borderlands
        • akaDARKNESS: on Kathy Acker
        • Remembering Barbara Macdonald
        • The Making of Power
        • Octavia Butler: A note on Xenogenesis as a love story
        • The Essential Angel: Tillie Olsen
        • Carol's Hands
        • Notes on Contributors (5)
      • Issue 4: The Wonderful & The Terrible (9/2006) >
        • Cunctipotence
        • Global Lovers
        • Our Lot
        • Doe a Deer
        • Degendering Sex: Undoing Erotic Alienation
        • Seven Stages of Lesbian Desire (What's Truth Got to Do With It?)
        • That Easter
        • Amazon Grace: Read it Aloud
        • Athene, 2002-2005
        • Notes on Contributors (4)
      • Issue 3: Love & Lust (2/2006) >
        • Conversation with Michele Causse
        • Chloto 1978
        • The Woman with the Secret Name
        • She is Still Burning
        • In the Beginning
        • Sanctuary
        • When Sex is Not the Metaphor for Intimacy
        • Arielle
        • Quotidian Love
        • Leverett
        • After Sappho's Fragments Tips for Natural Disasters Said Before
        • A Lesbian is a Memoir
        • Notes on Contributors (3)
      • Issue 2: Memory (12/2005) >
        • The Lost Days of Columbus
        • Agenesias of the Orld World
        • The Power of the Earth Shake/Rousing
        • Return to Earth
        • Forces of Nature
        • The Beauty Shop
        • The Other Shore
        • Notes on Contributors (2)
      • Issue 1: The Body (10/2004) >
        • Lovesick
        • Guerilla Girl Ponders the Situation
        • The Secret Pornographies of Republicans. What's left? Preferably Knot
        • Communing with Bears
        • TRIVIA LIVES: Division Street
        • After Reading: Les Gueilleres
        • Notes on Contributors (1)
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